The new TCL 6-Series Roku TV has big shoes to fill. For two years running it’s been my favorite TV for everyday buyers, with excellent image quality, class-leading smarts and an affordable price. The 2020 version adds a new backlight system powered by mini-LED, improved gaming features and a 75-inch size, yet keeps the cost affordable. The result is the best picture quality for the money I’ve tested this year.
LikeExcellent overall image qualitySuperior brightness for the priceGreat game mode performanceRoku smart TV is simple, capable
Don’t LikeSome issues with low-light dimmingNo Peacock, HBO Max or Apple AirPlay
Those mini-LEDs maximize brightness, leading to better images in bright rooms and with HDR. Local dimming, meanwhile, manages to keep black levels bark and overall contrast superb — although it’s not perfect. And gamers will appreciate the new THX Certified game mode, which serves up fast response time with minimal lag and excellent image quality.
TCL 6-Series Roku TV review: Brighter and better than…
Compared to the 2019 6-Series, which is still an excellent TV if you can find one in stock, the 2020 version is better in pretty much every way and worth an extra $100 or so at the 65-inch size. The new 6-Series isn’t as good as the 2019 TCL 8-Series, however, which has an even brighter image and better local dimming. Normally there’s a big price gap between the two but when the 8-Series is on sale — as it often seems to be — video quality snobs who don’t want to spring for OLED should probably choose the 8 instead.
I’ll update this review when I have the chance to test out more 2020 TVs — coming soon — but going into the holiday season the TCL 6-Series is already tough to beat, especially once the traditional November price drops kick in.
Red Roku, metallic frame, impressive picture mark TCL 6-Series
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Gray metal body, adjustable feet
TCL’s midrange TVs have a much more polished look than their budget sets and the new 6-Series is no exception. The slim frame around the image and thicker bottom edge are dark gray textured metal, with subtle TCL and Roku logos. Not-so-subtle is the big accent light below the central logo — it turns off when you turn on the TV, thankfully, but I wish there was a way to disable it entirely.
New for 2019 is a dual-position stand leg arrangement on the 65- and 75-inch sizes that lets you place the legs either out toward the edge of the panel, as seen in the images here, or more toward the center. Both also include a cable cozy in the legs that let you kinda hide HDMI, power and other connectors.
Hello, Roku, goodbye, HBO Max and Peacock
I’m a fan of Roku TV, for reasons I’ve documented extensively in previous reviews. Here’s the short list why:
Frequent updates and feature improvements.Simple menus with full customization, including input naming.Inputs on the same home page as TV apps.More apps (and 4K HDR apps) than any other smart TV system.Cross-platform search covers many services and allows price comparisons.
Like other Roku devices, the TCL 6-Series is currently missing apps for Peacock and HBO Max. HBO subscribers can still watch HBO shows using the standard HBO app, but won’t get access to Max-specific shows such as Friends or Love Life. There’s no way to access Peacock on the TV unless you connect another streaming device.
Another thing currently missing from the Roku platform — and available on competing smart TVs from Vizio, Samsung and LG — is support for Apple’s AirPlay system. The Apple TV app, which includes access to Apple TV Plus, is on-board.
The 6-Series includes the simple Roku remote with built-in voice control. Roku’s voice function isn’t nearly as robust as Amazon Alexa, found on Fire Edition TVs, for example, but it worked fine for searches, app launching, switching inputs and tuning to an antenna channel. If the TV is off, a voice command like “Launch Netflix” will turn it on and launch the app.
Mini-LED leads a big list of features
Mini-LEDs are, as you might have guessed, smaller than standard LEDs, allowing them to be grouped into more local dimming zones. Full-array local dimming is the best way to improve picture quality on LCD TVs. It allows the backlight — the part behind the LCD screen that provides illumination — to dim and illuminate different areas simultaneously. Smaller areas, or more dimming zones, mean more precise illumination, which ultimately increases contrast, the most important ingredient in a good picture.
Key TV features
LED LCD (Mini-LED)
Full array with local dimming
Number of zones
55-inch: 128, 65-inch: 160, 75-inch: 240
HDR10 and Dolby Vision
TCL is still the only TV maker to use mini-LED technology, first in the 8-Series and now in the 6-Series, but specs on the 6-Series aren’t nearly as impressive. The cheaper 6 has around 1,000 LEDs and 240 zones on the 75-inch size, while the more expensive 8 has 10,000 mini-LEDs and 1,000 zones. That’s likely the biggest reason the 6-Series didn’t perform as well as the 8-Series in my tests.
Read more: Mini-LED is here: How smaller lights could lead to big TV improvements
The 2020 Vizio P-Series is probably the new 6-Series’ closest competitor and it actually has more local dimming zones than the TCL — 200 on the 65-inch size. The Hisense H9G matches the TCL with 160 zones on the 65-inch size, while other TV makers like Sony and Samsung don’t specify number of zones.
Another improvement over the 2019 6-Series is a true 120Hz refresh rate on all sizes in the series, which leads to better motion performance. Like most TVs in its class today the 6-Series uses quantum dots that help improve color compared to non-QD-equipped TVs. And of course it supports both Dolby Vision and HDR10 high dynamic range formats. These days basically the only manufacturer that doesn’t is Samsung.
Inputs are ample:
4 HDMI inputs1 analog (composite) video input1 USB port (2.0)Ethernet (wired internet)1 headphone jack1 optical digital audio output1 RF (antenna) input
The 2020 6-Series supports Auto Game Mode that engages the new THX Certified game mode automatically when connected to a compatible device. New for this year it also has variable refresh rate and the ability to accept frame rates up to 120Hz. The latter are both important capabilities of the upcoming PS5 and Xbox consoles, but hardcore gamers should note that the 6-Series lacks the ability to do 4K resolution 120Hz with HDR, instead maxing out at 1440p resolution. The Vizio P-Series and Sony X900H, meanwhile, can handle 4K/120 with HDR. I’m not sure how big a difference it will make but I plan to test the new TVs with those consoles when they come out.
Picture quality comparisons
Click the image above to see CNET’s picture settings.
While the TCL 6-Series put out an excellent image, I can’t say yet how it competes against the 2020 Vizio and Hisense sets mentioned above, since I haven’t reviewed them yet. Against the TVs I have reviewed, however, its overall picture is better than any other set that earned an 8 in this category — yet not quite worthy of the 9 I gave the brighter and more expensive 8-Series and Vizio PX from last year, let alone OLED models like the CX that earned a 10. The new 6-Series nails the basics and looks great for gaming, but some issues with dimming in select scenes held it back a little.
Dim lighting: With standard Blu-ray and other SDR content calibrated for a dark room, the TVs looked very similar, and any differences would be tough to distinguish outside of a side-by-side comparison. Overall the Sony showed slightly lighter black levels than the TCLs, for a slightly less impactful and contrasty image, and between the three TCLs the 8-Series looked best by a nose.
Watching 1917 on Blu-ray, for example, after the soldier awakens in chapter 13 (1:06:38), the 635’s letterbox bars and shadows looked truer and more inky than the Sony’s, while I could discern more of the folds of his uniform and walls in the background than on the 625. Meanwhile the 635 and the 8-Series were closest of all, with the only real difference being slightly better shadow detail on the 8-Series.
During the extremely dark assault on Hogwarts from Harry Potter and the Deathly Hallows, the 635 again looked best aside from the 8-Series. Compared to the 625 from 2019 its black levels were very slightly worse but shadow detail was significantly better, and all three TCLs maintained black levels better than the Sony.
In content prone to blooming, for example when I brought up the playback controls during a black screen, the TCLs all did a better job controlling the stray illumination than the Sony, which lit up larger portions of the image. The 635 did show blooming more with brighter content, however, including HDR (see below).
Bright lighting: The TCL 6-Series is the brightest TV I’ve ever measured at this price. Brighter TVs like the 8-Series and the Vizio PX cost a lot more — as do numerous dimmer examples like the Sony X900H.
Light output in nits
Accurate color (SDR)
Accurate color (HDR)
The TCL’s brightest settings, “TV Brightness: brighter” and “Picture mode: Vivid,” (or “Bright HDR” for HDR content) are terribly inaccurate. An accurate bright-room picture is laudably easy to achieve, however. Just switch the mode to “Movie” or “Dark HDR” mode, which reduces light output but delivers a much better image.
Under bright lighting the 2020 6-Series’ TCL’s screen performed a bit better than last year’s model, as well as the Sony, at mitigating reflections and preserving black levels and contrast. Overall its bright-room image is just as impressive for the price as its home theater picture.
Color accuracy: According to my measurements the TCL 635’s color was excellent before calibration in Movie mode and even better afterward. Watching 1917, for the most part I’d call its color excellent as well, as indicated by the numbers. It did appear slightly less saturated than the other three at times, for example, in the faces of the soldiers or the reddish glow of the firelight. In general the difference was minimal, however, and in other scenes it was much less visible.
Video processing: The 6-Series is a 120Hz native TV with plenty of options for handling motion. The most obvious is Action Smoothing which has four settings. In Off the TV delivers correct 1080p/24 film cadence but in the other settings, Low and higher, it causes the TV to have the buttery smoothness of the Soap Opera Effect.
Those other settings, “Action Clarity” and “LED Motion Clarity,” affect motion resolution and interact with one another. The good news is that achieving maximum motion resolution doesn’t require SOE. When I toggled LED Motion Clarity on, engaging black frame insertion, and cranked Action Clarity to High, I measured a healthy 1,080 lines of resolution — very good, albeit not as good as the Sony or some other 120Hz TVs I’ve tested. Turning LED Motion Clarity off reduces resolution out at 600 lines. I preferred to leave AC on High and turn LED Motion Clarity off because the latter dims the image slightly and introduced some flicker. Viewers very averse to blur might want to leave it on, however.
Compared to last year the 2020 6-Series added a couple milliseconds of gaming input lag, clocking in at around 18/19ms for both 1080p and 4K HDR in game mode. Twitch gamers might notice, but nobody else will. That said, the chances of noticing lag go way up for anybody who doesn’t use game mode in 4K HDR: I measured 134ms (!) in 4K with game mode turned off.
“Game mode” is actually another confusing setting on the 2020 6-Series. You can apply it to any picture mode (such as Movie) or choose the actual “Gaming” / “Gaming HDR” picture mode, which invokes THX’s special sauce. In both cases input lag was basically the same.
Uniformity: With test patterns the 2020 6-Series was solid without too much brightness variation across the screen: slightly better along the edges than the 2019 6-Series and better in the middle than the Sony. One blemish on my review sample was a pair of very slightly darker spots in the middle right. They were quite subtle: I only noticed them on test patterns and demanding material like hockey. From off-angle the 65R635 preserved more black level fidelity than the 625 and the Sony, while off-angle color was similar to the other TCLs and worse than the Sony.
HDR and 4K video: As usual with bright, contrasty HDR material I saw more differences than with SDR. To get a baseline I started with the video montage from the Spears and Munsil 4K HDR benchmark disc, and the 635’s advantages stood out over the Sony and the 2019 6-Series. In the cityscape scenes like the Ferris wheel at night (4:49), the 635’s highlights looked brighter than the other TCL, while the black levels of the sky and shadows were significantly darker than the Sony. Meanwhile the 8-series looked best of all, with blacks as dark as the 635 and brighter highlights.
In difficult scenes with objects against black backgrounds all three TCLs showed similar inky black levels but the highlights were quite visibly different. The 635 was consistently brighter than either the Sony or the 625 (the pen at 4:12 was a good example) and dimmer than the 8-Series. In mostly white scenes, like the mountains and the horses grazing in the snowfield, the 2020 635 again measured the brightest aside from the 8-Series.
As with SDR the 635’s color did appear slightly less impactful and saturated at times, particularly orange like the sunsets or the wings of a monarch butterfly at 3:51. And just like with SDR the difference was subtle and the kind of thing I wouldn’t notice outside of a side-by-side comparison. And in other scenes, like the red, green and yellow of the tulip field, the 635 looked just as vibrant and punchy as the other three.
Moving on to the 1917 4K Blu-ray disc it was mostly the same story, but in a couple of mixed bright and dark scenes that really test local dimming, the 635 stumbled. When the soldiers meet the general in the bunker (5:20), the 635 showed more blooming and stray illumination in the soldiers silhouettes, the shadows and letterbox bars than the others. I tried reducing the brightness setting from Brighter (which I recommend for HDR on this TV in general) to Normal (which put it at roughly the same overall light output as the 2019 TCL) and or Darker (the dimmest option and much dimmer than either one). If I had to choose between the Sony’s lighter black levels and the 635’s blooming, I’d still take the 635, but both of the other TCLs handled this scene better.
And as usual the effect varied quite a bit. In the next dark bunker scene, around 25:45, the 635’s blooming was much less noticeable, perhaps because of the way the flashlights and camera moved through the rooms. On the other hand in the Chapter 13 awakening scene the TCL 635 was basically unwatchable: its dimming kicked in aggressively to crush almost all the shadow detail in the scene, the uniform and background were invisible and blooming rampant. Changing the picture mode to Bright HDR reclaimed most of the detail but made other aspects of the image look worse, especially in brighter scenes. The 625 looked a bit better (but not great) during this scene, the 8-Series looked significantly better, while the Sony looked the best despite its lighter black levels, showing minimal local dimming effects.
HDR color during 1917 showed the Sony as the palest and least saturated of the three in this pale and unsaturated movie, and to my eye the 635 and 8-Series looked the most balanced. HDR color accuracy measurements gave the Sony the advantage over the 635.
4K HDR gaming: For this test I played The Last of Us Part 2 on a PS4 Pro in the TVs’ various Game modes: Gaming HDR (aka THX-certified Game Mode) for the 635, Dark HDR/Brighter/”Game mode” toggle on for the other two TCLs and Game mode on the Sony. In my comparison THX Game mode did an excellent job of balancing image quality and low input lag.
In those settings the 635 had the best contrast, brightest highlights and most punch of the bunch — the other three looked more washed-out. When you’re crawling around a dark building hunting zombies, however, shadow detail is more important than black level and contrast, because it allows you to peer into dark recesses to spot enemies. By that measure the Sony was better than the 635, delivering every ounce of detail in the darkest shadows while the 635 was a bit more shrouded, albeit still better than the other two. If I wanted maximum zombie-spot potential on I’d set the game’s Contrast slider a bit lower.
Moving out into the day-lit Seattle streets the 635 again looked best overall thanks to superior contrast, which as usual helped colors pop. Of course you can reclaim the native contrast of the other TCLs by turning off the Game mode toggle but the trade-off is extreme input lag — which was intolerable as I played the game.
Black luminance (0%)
Peak white luminance (SDR)
Avg. gamma (10-100%)
Avg. grayscale error (10-100%)
Dark gray error (30%)
Bright gray error (80%)
Avg. color checker error
Avg. saturation sweeps error
Avg. color error
1080p/24 Cadence (IAL)
Motion resolution (max)
Motion resolution (dejudder off)
Input lag (Game mode)
Black luminance (0%)
Peak white luminance (10% win)
Gamut % UHDA/P3 (CIE 1976)
ColorMatch HDR error
Avg. color checker error
Input lag (Game mode, 4K HDR)
TCL 65R635 CNET review calibration results by David Katzmaier on Scribd